Films

Onslaught

2026

Michael Jackson: A Life in Music

2026

If I Go Will They Miss Me

2026

By Any Means

2026

Fall 2: Deadpoint

2026

Buddy

2026

The Whisper Man

2026

The Last Sunrise

2026

The Dog Stars

2026

It Ends

2026

Spa Weekend

2026

Idiots

2026

Insidious: Out of the Further

2026

Mutiny

2026

The Rivals of Amziah King

2026

Tony

2026

Teenage Sex and Death at Camp Miasma

2026

Finding Emily

2026

The Magic Faraway Tree

2026

Masters of the Universe

2026

The Mattel property gets a second shot at live action, this time shaped by Travis Knight into something that reads as a planet-hopping reunion story before it becomes a siege film. Prince Adam has been separated from Eternia for fifteen years; when the Sword of Power pulls him back, he finds his home under Skeletor's occupation and his family scattered. Nicholas Galitzine carries the lead, with Idris Elba and Jared Leto in the frame as the film builds toward the transformation the franchise has always been organized around. Knight structures the material as a homecoming that doubles as a reckoning — the mythology delivered through personal stakes rather than world-building exposition.

Hope

2026

A remote South Korean coastal village is under siege from something the locals can't quite name or agree on — and that collective failure of perception is where Na Hong-jin plants his film. The director of *The Wailing* builds *Hope* as a genre puzzle that passes through procedural investigation, creature panic, and something closer to cosmological dread, each register undercutting the one before it. Police chief Bum-seok and officer Sung-ae arrive to manage a crisis that keeps expanding its own terms. With a cast spanning Hwang Jung-min, Zo In-sung, Hoyeon, and Alicia Vikander, it operates on Na's characteristic principle: the more clearly characters think they see, the worse their decisions become.

23 000 Lives

2026

A group of young Berliners — nonprofessionals, driven rather than trained — crowdfund a decommissioned vessel and sail it into the Mediterranean to pull refugees from the sea. Markus Goller builds the film as an activist procedural: less interested in the voyages themselves than in the legal and institutional friction that accumulates around them, as the crew's improvised mission collides with maritime law, European politics, and their own conflicting ideas about what doing the right thing actually permits. Louis Hofmann and Mala Emde lead a cast working in a register that stays close to the documentary texture of the events the film draws from.

The Devil Wears Prada 2

2026

Twenty years on from the events of the first film, the fashion world Andy Sachs once fled has changed around Miranda Priestly — and Runway, the magazine she built into a cultural instrument, now requires rescue rather than mere survival. Frankel structures the sequel as a deal-making drama inside a dying industry, with Emily Charlton's ascent to luxury-brand power turning what was once a hierarchy of humiliation into something closer to a negotiation among equals. The casting geometry does most of the positioning work: Hathaway, Streep, Blunt, and Tucci returning to roles that the first film fixed clearly in the culture, now repositioned by where each character has landed.

Desire

2026

Lucero's household runs like a proof of concept: the wealthy husband, the children, the arranged life. Teresa Simone builds the film as a domestic thriller that keeps its pressure entirely interior for as long as possible — the danger is relational rather than physical, arriving through accumulated compromises rather than incident. When a young swimming coach enters the family orbit, what follows is a triangle that eventually draws in Lucero's daughter, shifting the dramatic weight from affair to something closer to rivalry. Ludwika Paleta and Óscar Casas carry the central pull; the film's engine is the slow collapse of the distance Lucero thinks she can maintain.