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Avengers: Doomsday

2026

The Russo brothers return to the franchise they last handled with *Endgame*, this time assembling characters from three distinct Marvel universes on a collision course. Robert Downey Jr., Chris Evans, and Chris Hemsworth are joined by Pedro Pascal in what the premise frames as a crossover operating at a larger structural scale than the series has previously attempted — the threat here cuts across continuities rather than converging on a single timeline. Built on the brothers' established preference for ensemble action that sequences its set-pieces around character geography, the film positions itself as an event in the formal sense: a film whose architecture depends on which version of each hero the audience is watching, and why that distinction matters.

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Dune: Part Two

2024

Paul Atreides has embedded himself with the Fremen, learning their warfare and their water discipline, moving toward the reckoning he believes is owed to him. Villeneuve builds the second half of his Herbert adaptation as a war film that earns its battles through accumulation — the geography of Arrakis, the internal politics of the Fremen, the competing pressures of messianic expectation — so that when the violence arrives it carries institutional weight rather than spectacle for its own sake. Zendaya's Chani, largely sidelined in Part One, becomes the film's structural conscience here, the perspective that resists the myth even as Paul moves deeper into it.

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Mortal Kombat II

2026

Karl Urban's entry as Johnny Cage gives this sequel its central structural bet: folding the franchise's most self-aware character into a story that now has to sustain not just a tournament but a war. McQuoid scales the threat outward — Shao Kahn's campaign against Earthrealm replaces the contained bracket logic of the first film with something closer to an invasion picture, though the fighting remains the primary currency. Jessica McNamee and Josh Lawson return alongside a broadened roster of champions who spend much of the film in conflict with each other before the external stakes consolidate. The series positions itself here as spectacle-action built on game-faithful brutality, where the mythology is load-bearing scaffolding for the choreography.

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