Films

Coming soon →3 titles

Streaming on:HBO Max Rating:PG-13 Rating:G Clear all

Filters & sort (3 active)

Sort

The Skry

Rating

Genre

Streaming on

Where to watch

We have streaming data for roughly a third of the catalogue. This shows the titles we can confirm are there — not everything that is. Subscription, free and ad-supported only; never rent or buy.

All services →

Clear all filters

Counts are for the whole catalogue, not for the filter you have on.

6.5Skry

Supergirl

2026

Kara Zor-El hasn't chosen this fight — it comes to her, close enough to make it personal. What follows is built as an interstellar chase-and-pursuit, the film moving outward from Earth into open space as Milly Alcock's Supergirl and an unlikely companion (Eve Ridley) track a threat that Matthias Schoenaerts and Jason Momoa's casting suggests will carry weight on both sides of the conflict. Craig Gillespie, whose work tends to find speed and pressure inside genre containers, structures this as a road movie that happens to cross star systems — the partnership between its two leads the load-bearing element as the scale expands around them.

MC 49/100IMDb 6.1

Dune: Part Two

2024

Paul Atreides has embedded himself with the Fremen, learning their warfare and their water discipline, moving toward the reckoning he believes is owed to him. Villeneuve builds the second half of his Herbert adaptation as a war film that earns its battles through accumulation — the geography of Arrakis, the internal politics of the Fremen, the competing pressures of messianic expectation — so that when the violence arrives it carries institutional weight rather than spectacle for its own sake. Zendaya's Chani, largely sidelined in Part One, becomes the film's structural conscience here, the perspective that resists the myth even as Paul moves deeper into it.

No aggregator scores yet

The Devil Wears Prada

2006

A Midwestern journalism graduate lands a job she can barely spell — assistant to Miranda Priestly, the editor of a fashion magazine whose organizational gravity bends entire industries. David Frankel runs it as a workplace comedy that earns its dramatic pivot: the first half plays the culture gap for sharp laughs, the second turns quietly on what the protagonist is becoming by learning to survive it. What makes the film work as a formal object is Streep's performance, which refuses to play the tyrant for camp. Miranda speaks softly, rarely repeats herself, and the camera gives her the room a scene's true power source deserves. Emily Blunt and Stanley Tucci fill the margins with precision.

No aggregator scores yet