Films

9.0Skry

Spider-Man: Into the Spider-Verse

2018

Miles Morales gets his spider-bite in a film that treats the origin story as a premise to move through rather than a destination to linger on. The interest is structural: Persichetti, Ramsey, and Rothman build the film around a collider accident that pulls half a dozen Spider-people from incompatible dimensions into Brooklyn, each rendered in a visually distinct idiom — anime, noir, slapstick cartoon — that the film holds in the frame simultaneously without resolving the collision into a single house style. Shameik Moore plays Miles as someone still working out who he is; Jake Johnson's older, frayed Peter Parker functions as a foil who's run out of room to grow. The animation does the genre argument: form as content, style as character.

8.0Skry

Toy Story 5

2026

The toys have always competed with something — a newer model, a yard sale, a child growing up — but a tablet reframes the threat structurally. Buzz, Woody, Jessie, and the gang now contend not with a rival toy but with a device that makes toys as a category feel optional. Andrew Stanton, returning to Pixar animation after the *Finding* films, builds the premise around that generational friction: a child absorbed by a screen, a roomful of characters whose entire purpose is suddenly in question. Whether the film plays that as adventure, comedy, or something more melancholy in its margins remains to be seen.

7.9Skry

Coyote vs. Acme

2026

7.7Skry

Hoppers

2026

A girl slips her consciousness into a robotic animal body and steps into a world she thought she understood — Hoppers builds its adventure around that central gimmick and treats the animal kingdom as genuinely alien territory rather than a backdrop for cute behavior. Daniel Chong structures the film as a discovery narrative that keeps widening its own scope: each hop into a new body reframes what Mabel thinks she knows, until the animal world begins to look less like nature and more like a system with its own logic and secrets. The animation has work to do here, rendering both the robotic vessels and their organic counterparts in a register where the strangeness of the premise stays legible.

7.5Skry

Moana

2026

7.4Skry

Swapped

2026

7.3Skry

Minions & Monsters

2026

7.0Skry

The Super Mario Galaxy Movie

2026

Avatar Aang: The Last Airbender

2026

Forgotten Island

2026

Shaun the Sheep: The Beast of Mossy Bottom

2026

The Magic Faraway Tree

2026

Avengers: Doomsday

2026

The Russo brothers return to the franchise they last handled with *Endgame*, this time assembling characters from three distinct Marvel universes on a collision course. Robert Downey Jr., Chris Evans, and Chris Hemsworth are joined by Pedro Pascal in what the premise frames as a crossover operating at a larger structural scale than the series has previously attempted — the threat here cuts across continuities rather than converging on a single timeline. Built on the brothers' established preference for ensemble action that sequences its set-pieces around character geography, the film positions itself as an event in the formal sense: a film whose architecture depends on which version of each hero the audience is watching, and why that distinction matters.