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For Families

The Skry for Families

Every title here carries a US certification we can point to — no guesswork, no crowd-sourced vibe check. Pick the age you’re shopping for and we’ll show you what clears it, with our score where we’ve done the work and the critics’ numbers where we haven’t.

Anything rated R, NC-17, TV-MA, or carrying no rating at all is excluded from this page entirely.

AgeAll ages & upAll Ages (2)Older Kids (21)Tweens (37)

Older Kids: PG · TV-PG · TV-Y7 · Tweens: PG-13 · TV-14

Family Picks

The kid-appropriate titles we’ve actually reviewed, best score first.

9.3Skry
PG

Casablanca

1943

A gin-soaked nightclub in Vichy-controlled Morocco, December 1941: Rick Blaine runs his establishment on studied neutrality, refusing favors and avoiding politics until the arrival of Ilsa Lund forces a reckoning with a past he's built his whole pose against. Michael Curtiz constructs the film as a wartime romance triangulated against ideology — Ilsa's husband is a Czech resistance leader whose exit papers Rick happens to hold — so that a love story becomes a question about what a person owes history when history comes looking. Bogart and Bergman carry the emotional weight, while Claude Rains, as a cheerfully corrupt French prefect, holds the moral ironies in place.

RT 99%MC 100/100IMDb 8.5

Streaming on HBO Max

9.1Skry
PG

Spirited Away

2001

A ten-year-old girl wanders into a bathhouse for spirits and cannot find the door back. Her parents have been transformed; her name is being taken from her; the rules of this world reveal themselves only as she breaks them. Miyazaki builds the film as a picaresque set inside a single enormous building, using Chihiro's labor — she must work the bathhouse to survive — as both plot engine and structural spine. Each floor, each corridor, introduces a new register: slapstick, dread, unexpected tenderness. The world compounds rather than explains itself, and the film's hold comes precisely from that density, a logic felt before it's understood.

RT 96%MC 96/100IMDb 8.6

Streaming on HBO Max

9.0Skry
PG

Spider-Man: Into the Spider-Verse

2018

Miles Morales gets his spider-bite in a film that treats the origin story as a premise to move through rather than a destination to linger on. The interest is structural: Persichetti, Ramsey, and Rothman build the film around a collider accident that pulls half a dozen Spider-people from incompatible dimensions into Brooklyn, each rendered in a visually distinct idiom — anime, noir, slapstick cartoon — that the film holds in the frame simultaneously without resolving the collision into a single house style. Shameik Moore plays Miles as someone still working out who he is; Jake Johnson's older, frayed Peter Parker functions as a foil who's run out of room to grow. The animation does the genre argument: form as content, style as character.

RT 97%MC 87/100IMDb 8.4

Streaming on Netflix

8.7Skry
PG

Groundhog Day

1993

A TV weatherman with a gift for condescension gets sent to cover Groundhog Day in Punxsutawney, Pennsylvania, and finds himself locked in a loop, waking every morning to the same six o'clock alarm and the same Sonny and Cher. Harold Ramis builds the film as a comedy whose engine is repetition — the same beats hit with incremental variation, Murray's reactions shifting from bafflement to hedonism to something more searching as the days accumulate into an uncountable span. What keeps it from becoming a stunt is that the loop is never explained or resolved on mechanical terms; the film treats the premise as a given and lets character carry the weight.

RT 93%MC 72/100IMDb 8.0

Streaming on Sony Pictures Core

8.6Skry
PG-13

Project Hail Mary

2026

RT 94%MC 77/100IMDb 8.3

Streaming on Prime Video, fuboTV, MGM+

8.5Skry
PG-13

Inception

2010

A thief who works inside dreams is hired to do the reverse of what he does best: not steal an idea but plant one. Christopher Nolan builds this around the logic of nested architecture — each level of the dream a deeper fold, with different physics and a different pace of time — so that what looks like a heist film gradually becomes a puzzle of overlapping spaces running simultaneously. Leonardo DiCaprio's Cobb carries the emotional throughline, a man whose access to the subconscious is also his liability. The film earns its runtime by keeping those layers legible, stacking action across parallel planes rather than cutting between them arbitrarily.

RT 87%MC 74/100IMDb 8.8

Matching titles

58 titles
TV-14

Spider-Noir

2026

No aggregator scores yet

Streaming on Prime Video

PG-13

Finding Emily

2026

MC 71/100IMDb 7.2

PG-13

The Devil Wears Prada 2

2026

Twenty years on from the events of the first film, the fashion world Andy Sachs once fled has changed around Miranda Priestly — and Runway, the magazine she built into a cultural instrument, now requires rescue rather than mere survival. Frankel structures the sequel as a deal-making drama inside a dying industry, with Emily Charlton's ascent to luxury-brand power turning what was once a hierarchy of humiliation into something closer to a negotiation among equals. The casting geometry does most of the positioning work: Hathaway, Streep, Blunt, and Tucci returning to roles that the first film fixed clearly in the culture, now repositioned by where each character has landed.

MC 63/100IMDb 6.5

PG

The Magic Faraway Tree

2026

IMDb 6.2

PG-13

Dune: Part Two

2024

Paul Atreides has embedded himself with the Fremen, learning their warfare and their water discipline, moving toward the reckoning he believes is owed to him. Villeneuve builds the second half of his Herbert adaptation as a war film that earns its battles through accumulation — the geography of Arrakis, the internal politics of the Fremen, the competing pressures of messianic expectation — so that when the violence arrives it carries institutional weight rather than spectacle for its own sake. Zendaya's Chani, largely sidelined in Part One, becomes the film's structural conscience here, the perspective that resists the myth even as Paul moves deeper into it.

No aggregator scores yet

Streaming on HBO Max, YouTube TV

PG-13

Past Lives

2023

Two people who were close as children in Seoul find each other again as adults in New York, after years apart spent becoming different versions of themselves. Celine Song structures the film around the gap between those two moments — what happens in the middle is handled elliptically, with the film more interested in what accumulates across distance than in dramatizing the distance itself. The result is a romance built on restraint: Greta Lee and Teo Yoo play two people whose fluency with each other has outlasted the circumstances that produced it, and John Magaro's presence as Nora's husband quietly pressurizes every scene without tilting toward melodrama. The film works by what it withholds from each of its three characters at once.

RT 95%MC 94/100IMDb 7.8

TV-14

Star Trek: Strange New Worlds

2022

IMDb 8.2

Streaming on Paramount+

TV-14

Mad Men

2007

The Madison Avenue advertising world of the 1960s is the engine here, but Matthew Weiner uses it as a pressure chamber: the decade's upheavals in race, gender, and class filtered through a single agency's conference rooms, bedrooms, and client pitches. Jon Hamm plays Don Draper, a creative director whose professional command sits on top of something deliberately obscured; Elisabeth Moss's Peggy Olson traces a different arc, moving through the same institution from a different position. The series runs its drama through period texture rather than commentary, letting the era's assumptions surface in ordinary transactions — who sits where, who speaks first, what goes unsaid.

IMDb 8.7

Streaming on HBO Max, Philo, AMC+

PG-13

The Devil Wears Prada

2006

A Midwestern journalism graduate lands a job she can barely spell — assistant to Miranda Priestly, the editor of a fashion magazine whose organizational gravity bends entire industries. David Frankel runs it as a workplace comedy that earns its dramatic pivot: the first half plays the culture gap for sharp laughs, the second turns quietly on what the protagonist is becoming by learning to survive it. What makes the film work as a formal object is Streep's performance, which refuses to play the tyrant for camp. Miranda speaks softly, rarely repeats herself, and the camera gives her the room a scene's true power source deserves. Emily Blunt and Stanley Tucci fill the margins with precision.

No aggregator scores yet

Streaming on Disney+, Hulu, fuboTV

TV-14

Law & Order: Special Victims Unit

1999

The longest-running live-action drama in American primetime history, Dick Wolf's SVU spinoff took the Law & Order procedural format and narrowed its aperture to sex crimes and the investigators who work them. Where the parent series moves briskly between police work and courtroom, SVU tends to linger in the precinct and the hospital, its cases built from victim testimony as much as physical evidence. Mariska Hargitay anchors the squad's continuity across a cast that has cycled through decades of roster changes, and the series earns its longevity by treating each case as a self-contained procedural unit — the cold open, the canvass, the break — while banking enough character accumulation to sustain long-run investment.

IMDb 8.1

Streaming on Hulu, fuboTV, Peacock

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Certifications from TMDB (US). Streaming data provided by JustWatch. The Skry does not collect any information about children; watch links point out to the streaming services themselves.