Films

The Salt Path

2025

By Any Means

2026

Practical Magic 2

2026

Mayday

2026

Runner

2026

Michael Jackson: A Life in Music

2026

Finding Emily

2026

The Magic Faraway Tree

2026

Coyote vs. Acme

2026

Insidious: Out of the Further

2026

Fall 2: Deadpoint

2026

Masters of the Universe

2026

The Mattel property gets a second shot at live action, this time shaped by Travis Knight into something that reads as a planet-hopping reunion story before it becomes a siege film. Prince Adam has been separated from Eternia for fifteen years; when the Sword of Power pulls him back, he finds his home under Skeletor's occupation and his family scattered. Nicholas Galitzine carries the lead, with Idris Elba and Jared Leto in the frame as the film builds toward the transformation the franchise has always been organized around. Knight structures the material as a homecoming that doubles as a reckoning — the mythology delivered through personal stakes rather than world-building exposition.

8.7Skry

Groundhog Day

1993

A TV weatherman with a gift for condescension gets sent to cover Groundhog Day in Punxsutawney, Pennsylvania, and finds himself locked in a loop, waking every morning to the same six o'clock alarm and the same Sonny and Cher. Harold Ramis builds the film as a comedy whose engine is repetition — the same beats hit with incremental variation, Murray's reactions shifting from bafflement to hedonism to something more searching as the days accumulate into an uncountable span. What keeps it from becoming a stunt is that the loop is never explained or resolved on mechanical terms; the film treats the premise as a given and lets character carry the weight.

9.3Skry

Casablanca

1943

A gin-soaked nightclub in Vichy-controlled Morocco, December 1941: Rick Blaine runs his establishment on studied neutrality, refusing favors and avoiding politics until the arrival of Ilsa Lund forces a reckoning with a past he's built his whole pose against. Michael Curtiz constructs the film as a wartime romance triangulated against ideology — Ilsa's husband is a Czech resistance leader whose exit papers Rick happens to hold — so that a love story becomes a question about what a person owes history when history comes looking. Bogart and Bergman carry the emotional weight, while Claude Rains, as a cheerfully corrupt French prefect, holds the moral ironies in place.

9.1Skry

Spirited Away

2001

A ten-year-old girl wanders into a bathhouse for spirits and cannot find the door back. Her parents have been transformed; her name is being taken from her; the rules of this world reveal themselves only as she breaks them. Miyazaki builds the film as a picaresque set inside a single enormous building, using Chihiro's labor — she must work the bathhouse to survive — as both plot engine and structural spine. Each floor, each corridor, introduces a new register: slapstick, dread, unexpected tenderness. The world compounds rather than explains itself, and the film's hold comes precisely from that density, a logic felt before it's understood.

Hope

2026

A remote South Korean coastal village is under siege from something the locals can't quite name or agree on — and that collective failure of perception is where Na Hong-jin plants his film. The director of *The Wailing* builds *Hope* as a genre puzzle that passes through procedural investigation, creature panic, and something closer to cosmological dread, each register undercutting the one before it. Police chief Bum-seok and officer Sung-ae arrive to manage a crisis that keeps expanding its own terms. With a cast spanning Hwang Jung-min, Zo In-sung, Hoyeon, and Alicia Vikander, it operates on Na's characteristic principle: the more clearly characters think they see, the worse their decisions become.

23 000 Lives

2026

A group of young Berliners — nonprofessionals, driven rather than trained — crowdfund a decommissioned vessel and sail it into the Mediterranean to pull refugees from the sea. Markus Goller builds the film as an activist procedural: less interested in the voyages themselves than in the legal and institutional friction that accumulates around them, as the crew's improvised mission collides with maritime law, European politics, and their own conflicting ideas about what doing the right thing actually permits. Louis Hofmann and Mala Emde lead a cast working in a register that stays close to the documentary texture of the events the film draws from.

The Devil Wears Prada 2

2026

Twenty years on from the events of the first film, the fashion world Andy Sachs once fled has changed around Miranda Priestly — and Runway, the magazine she built into a cultural instrument, now requires rescue rather than mere survival. Frankel structures the sequel as a deal-making drama inside a dying industry, with Emily Charlton's ascent to luxury-brand power turning what was once a hierarchy of humiliation into something closer to a negotiation among equals. The casting geometry does most of the positioning work: Hathaway, Streep, Blunt, and Tucci returning to roles that the first film fixed clearly in the culture, now repositioned by where each character has landed.

The Breadwinner

2026

Nate Wilcox has spent his whole adult life as the family's earner; when his wife Katie lands a deal on *Shark Tank* and leaves for an extended business trip, he's suddenly the one holding down the house. Eric Appel builds the film as a domestic role-reversal comedy, running the joke not on incompetence but on the specific disorientation of a man whose identity was built around a function he no longer has. Nate Bargatze and Mandy Moore play the couple, with Bargatze's deadpan understatement carrying most of the weight once the premise kicks in and Katie exits the frame.

7.3Skry

Minions & Monsters

2026

7.5Skry

Moana

2026

7.9Skry

Spider-Man: Brand New Day

2026

Peter Parker's secret is no longer the problem — his erasure is. In a New York that has forgotten he exists, he keeps saving it anyway, watching the people he was closest to move through lives he can no longer enter. Destin Daniel Cretton builds the film around that displacement, running a superhero action picture through the engine of a reintegration drama: what does the mask mean when the face behind it has been scrubbed from everyone's memory? The central complication is a transformation in Parker himself, one the film positions as both threat and necessity. A villain who cannot be perceived raises the stakes on the action side while the identity architecture does its work in the quieter scenes.

Avengers: Doomsday

2026

The Russo brothers return to the franchise they last handled with *Endgame*, this time assembling characters from three distinct Marvel universes on a collision course. Robert Downey Jr., Chris Evans, and Chris Hemsworth are joined by Pedro Pascal in what the premise frames as a crossover operating at a larger structural scale than the series has previously attempted — the threat here cuts across continuities rather than converging on a single timeline. Built on the brothers' established preference for ensemble action that sequences its set-pieces around character geography, the film positions itself as an event in the formal sense: a film whose architecture depends on which version of each hero the audience is watching, and why that distinction matters.

7.7Skry

Hoppers

2026

A girl slips her consciousness into a robotic animal body and steps into a world she thought she understood — Hoppers builds its adventure around that central gimmick and treats the animal kingdom as genuinely alien territory rather than a backdrop for cute behavior. Daniel Chong structures the film as a discovery narrative that keeps widening its own scope: each hop into a new body reframes what Mabel thinks she knows, until the animal world begins to look less like nature and more like a system with its own logic and secrets. The animation has work to do here, rendering both the robotic vessels and their organic counterparts in a register where the strangeness of the premise stays legible.